Las Voces De Mexico at the Golden Gate
Conversation with Maestro Urs Leonhardt Steiner, from the Golden Gate Symphony Orchestra and Chorus
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Today, I had the pleasure of sitting down for a chat with Maestro Urs Leonhardt Steiner, a musical maestro whose journey spans continents and cultures. Originally from the quaint town of Chur, Switzerland, Steiner’s musical roots run deep, having studied at esteemed institutions like the University of Tübingen and the San Francisco Conservatory of Music.
Under the guidance of luminaries such as James Wimer and Gustav Meier, and rubbing shoulders with legends like Andre Previn and Leonard Bernstein in masterclasses, Steiner’s musical education is as rich as it is diverse.
But it doesn’t stop there. Steiner’s own compositions, notably the operas “Il Secondo Settenio” and “Return of the Phantoms,” have garnered praise both at home and across the pond. Leading the Golden Gate Symphony Orchestra in captivating performances, Steiner’s baton has danced across stages from Europe to Central America.
Under the guidance of luminaries such as James Wimer and Gustav Meier, and rubbing shoulders with legends like Andre Previn and Leonard Bernstein in masterclasses, Steiner’s musical education is as rich as it is diverse.
But it doesn’t stop there. Steiner’s own compositions, notably the operas “Il Secondo Settenio” and “Return of the Phantoms,” have garnered praise both at home and across the pond. Leading the Golden Gate Symphony Orchestra in captivating performances, Steiner’s baton has danced across stages from Europe to Central America.
Today, he is following a deeper mission, colliding Steiner and the Golden Gate Symphony Orchestra & Chorus (GGSOC). Their aim? To use the power of classical music to unite communities and kindle a love for the arts. Through accessible performances and educational outreach, they’re breaking down barriers and sharing the joy of music with all who will listen.
He comes today to tell us more about his next concert “¡Las Voces de México!.” It’s a musical journey south of the border, featuring iconic pieces like Copland’s “El Salón México” and Moncayo’s “Huapango,” alongside the world premiere of “Indigenous Symphony” by Oaxacan composer, Carlos Pazos. Add in some infectious danzones from San Francisco’s own Anthony Blea Afro Cuban Sextet and a lively Mariachi Sing Along, and you’ve got the recipe for a perfect Sunday afternoon.
“¡Las Voces de México!” isn’t just about music; it’s about inclusion. It’s part of the Golden Gate Symphony’s Beyond the Border Walls Initiative, which aims to open up the world of classical music to all, providing hundreds of free tickets to every event. So, come join us as we celebrate the universal language of music and break down barriers, one note at a time.
As usual, thank you for listening to our show “Atenea Americana” as part of my effort at Stanford Hispanic Broadcasting. You can listen to all our shows here or on your favorite podcast apps. You can help to make programs like this possible by leaving your comments, subscribing to our website and podcast channels, following us, sharing links, contributing with your ideas or materials, sharing our social networks, and more. Remember to check our “Contribute” to learn more.
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